Assembly Roxy, EdinburghThere’s a hint of Baz Luhrmann’s Romeo + Juliet in the cocksure, poppy aesthetic of this charismatic display of acrobatics, tumbling and clowningIt wouldn’t be the Edinburgh fringe without at least one new spin on Hamlet. This spunky 60-minute version created by Sam Landa and Emma Owens combines a radically trimmed text with aerial acrobatics, tumbling and clowning. Sensitively delivering Shakespearean verse and executing sophisticated circus requires a niche skill-set; some lines fall flat but Landa and Danielle Diniz’s choreography often deepens a story limited to the personal not the political. The enterprise is executed with panache by a charismatic cast of 10.Who’s there? A ghost in white, twisting and turning to the song Don’t Let Me Be Misunderstood, later returning to use an aerial pyramid. The show casts Old Hamlet (Arthur Morel Van Hyfte) and Hamlet (Maddox Morfit-Tighe) at a similar age, which movingly emphasises how they see themselves in each other, although the ghost’s recurrent “remember me” voiceover sounds more horror movie than tragedy. Continue reading…